An Exploration of the Self in Hermann Hesses’ Greatest Work: Steppenwolf

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Dikari Bonnie Lamare

Abstract

The exploration of the self lies at the heart of a majority of Hermann Hesses’ works and it gain him recognition worldwide. He believes that the individual search for ultimate truth lies in the fate of man in a sordid world. As a German writer, his characters represent the significance and importance of the ‘self’ thereby relating it to the reality and existence of human beings in general. This paper attempts to study Hermann Hesses’ greatest work Steppenwolf in light of the significance and importance of the self in bringing about a change and renewal in the fate of man in this modern world. At the same time an attempt will be made to demonstrate Hesses’ ability to reveal the search for ‘oneness’ within the self which is basically the central theme in all of the author’s work.

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How to Cite
Dikari Bonnie Lamare. “An Exploration of the Self in Hermann Hesses’ Greatest Work: Steppenwolf”. The Creative Launcher, vol. 3, no. 6, Feb. 2019, pp. 79-81, https://thecreativelauncher.com/index.php/tcl/article/view/322.
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Author Biography

Dikari Bonnie Lamare, Research Scholar Department of English, North Eastern Hill University, Tura Campus, Tura, Meghalaya, India.,North Eastern Hill University

 

 

References

Casebeer, Edwin F. Writers for the Seventies Hermann Hesse. Indianapolis: Farrar, Straus & Giroux, Inc., 2014.

Costa, Richard Hauer. “The Man Who Would Be Steppenwolf.” The South Central Bulletin 42.4 (1982): 125-127. JSTOR. Web. 3 June 2014.

Hesse, Hermann. Steppenwolf. Trans. David Horrocks. London: Penguin Modern Classics, 2012.

Wilson, Colin. The Outsider. London: Guernsey Press Co. Ltd., 1997.

Zeller, Prof. Bernhard. “Worldwide Reception and Influence.” n.p. n.d.: Web. 25 Feb. 2015. <http://www.hermann-hesse.de/files/WORLDWIDE%20RECEPTION%20AND%20INFLUENCE_5.pdf >