Self-Reflexivity and Historiographic Metafiction: The Intersection of Public and Private Spheres in Peter Carey’s True History of the Kelly Gang


Abstract views: 30 / PDF downloads: 17

Authors

  • Tara Prasad Adhikari Assistant Professor of English Tribhuvan University, Nepal,Tribhuvan University image/svg+xml

Keywords:

Historiographic metafiction, Postmodern literature, Memory, Identity, Intertextuality, Self-reflexivity, Historical narratives, Political history, Public and private spheres

Abstract

This paper examines the intersection of self-reflexivity, historiographic metafiction, and the collapse of the boundaries between the public and private spheres in postmodern literature. Specifically focusing on Peter Carey’s True History of the Kelly Gang, using Linda Hutcheon’s theoretical insights on historiographic metafiction, this study explores how Carey’s narrative dismantles conventional distinctions between private and public realms. The novel portrays the life of Ned Kelly, who is a figure often regarded as a national hero.  As the story unfolds, Carey complicates our understanding of memory, truth, and identity. His narrative strategy blurs the lines between the inner, personal world and the outer, public space, thereby suggesting a complex interconnection between the public and the private spaces. This fluidity challenges traditional notions of boundaries concerning historical accounts and their construction of reality. By foregrounding intertextuality and employing metafictional techniques, Carey exemplifies key postmodern characteristics, and she does so mostly by questioning historical narratives and the subjective nature of truth. The paper argues that True History of the Kelly Gang’s self-reflexive nature encourages readers to critically interrogate the roles of history, personal experience, and societal structures in the formation of identity. The paper contends that the novel challenges the conventional understanding of history as a fixed and linear entity, offering instead a fragmented and subjective portrayal of the past. Through its exploration of how personal identity and political history are interconnected, this study enriches our understanding of postmodern literature and highlights the ways such works interrogate historical narratives. In doing so, this study also urges readers to reconsider the complex relationship between memory, truth, and historical representation(s).

Downloads

Download data is not yet available.

References

Carey, Peter. True History of the Kelly Gang. Vintage, 2001.

Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction. Routledge, 1988.

---. “Historiographic Metafiction: Parody and the Intertextuality of History.” TSpace, University of Toronto, tspace.library.utoronto.ca/bitstream/1807/10252/1/TSpace0167.pdf. Accessed 11 Aug. 2024.

---. “The Politics of Postmodernism: Parody and History.” The Politics of Postmodernism: Parody and History. Methuen, 1989, pp. 35-48.

Jarram, Steph. “Postmodern Media.” Steph Jarram’s Blog, 30 May 2012, http://stephjarrampomo12.blogspot.com/2012/05/postmodern-media-blur-boundary-between.html. Accessed 10 August 2024.

López Ropero, Ma Lourdes. “Beating Back the Past: Toni Morrison’s Beloved as Historiographic Metafiction.” Philologia Hispalensis, vol. 13, no. 2, 1999, pp. 173-178. Universidad de Santiago de Compostela, DOI: 10.12795/PH.1999.v13.i02.19.

Muneer, Mohammed Abdul Hussein. “A Literature Review: Postmodernism and Historiographic Metafiction.” International Journal of Research in Social Sciences and Humanities, vol. 10, no. 2, 2020, pp. 144-154. DG of Education in Babil, DOI: 10.37648/ijrssh.v10i02.012. IJRSSH, http://www.ijrssh.com. Accessed 11 Aug. 2024.

Nicol, Bran. The Cambridge Introduction to Postmodern Fiction. Cambridge University Press, 2008.

Roberts, Ivy R. The Suspension of Disbelief: Hyperreality, Fantasy, and the Waning Reality Principle. MA thesis, Antioch University, June 2009.

Downloads

Published

2024-10-31

How to Cite

Tara Prasad Adhikari. “Self-Reflexivity and Historiographic Metafiction: The Intersection of Public and Private Spheres in Peter Carey’s True History of the Kelly Gang”. The Creative Launcher, vol. 9, no. 5, Oct. 2024, pp. 129-36, https://thecreativelauncher.com/index.php/tcl/article/view/1219.

Issue

Section

Research Articles