Narrating Marginality: Gender Crisis in Shashi Deshpande’s The Dark Holds No Terror

Authors

  • Manoj Kumar Research Scholar, L.B.S.P.G. College, Gonda, Affiliated to Dr. RML Awadh University, Ayodhya, Uttar Pradesh, India ,Dr. Ram Manohar Lohia Avadh University image/svg+xml https://orcid.org/0000-0002-7329-5650
  • Prof. V. Ch. N. K. Srinivasa Rao Professor of English, L.B.S.P.G. College, Gonda, Affiliated to Dr. RML Awadh University, Ayodhya, Uttar Pradesh, India ,Dr. Ram Manohar Lohia Avadh University image/svg+xml

DOI:

https://doi.org/10.53032/tcl.2022.7.6.19

Keywords:

Cultural identity, Gender issues, Race, Ethnicity, Civilization, Western culture, Diaspora, Marginality, Violence, Exploitation

Abstract

Feminine sensibilities and gender issues are based on different cultures and diasporic essence. The desire and aspirations of women of different countries are not similar. Their demands are influenced by a number of variables, including familial, societal/racial, marital, economic, cultural, and personal ones. It is considered incorrect to compare Indian feminism to western feminism, which is characterised by radical rules, in such a varied culture. In its early stages, Indian feminism was wholly liberal and addressed every facet of mankind. There hasn't been a significant political or social uprising in India against the male-dominated culture. In beginning, they seek to address the inequality and dissimilarity that existed between males and females. They desired to bridge the gaps between men and women through their social revolt and provide the psychological reason for the male violence against women. Some feminist intellectuals extended the gender issues focusing the intention on rape and other forms of sexual violence. To them, such gender issues of exploitation are because of the male dominant society. They agree with Liberal feminists that material change and patriarchy is the sole reason for women's discrimination. They argue against the existing tradition of love, marriage, and gender inequality and demand equal social rights. The women writers like Shashi Deshpande have used fiction to explore and share their experiences. The myriad conflicts, which they face in everyday lives, are woven into the fictional world of their creation. To Shashi Deshpande, traditional beliefs also play a major role in female discrimination.

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References

Abhrams, M. H. A Glossary of Literary Terms. Prism Books Pvt. Ltd. 2014

Despande, Shashi. The Dark Holds No Terrors. Penguin Books, India. 1980.

Despande, Shashi. Writing from the Margin of Other Essays, Ashish Pub, 1984.

Elaine (ed.) The New Feminist Criticism: Essays on Women, Literature, and Theory. Olympia publisher, 1985.

Mukhopadhyay, Arpita. Feminism. Orient Black Swan Private Limited, 2019.

Naik, M. K. History of Indian English Literature. Sahitya Akademy, 1982.

Nayer, K. Pramod. Contemporary Literary and Cultural Theory. Dorling Kinerley Pvt. Ltd, 2010

Spivak, Gayatri Chakravorthy. Can the Subaltern Speak! Walther Books, 2021.

Sharma, Sangeeta. Gender Issues: Fictional World of Shashi Despande. Atlantic publishers. 2018

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Published

2022-12-30
CITATION
DOI: 10.53032/tcl.2022.7.6.19
Published: 2022-12-30

How to Cite

Manoj Kumar, & Prof. V. Ch. N. K. Srinivasa Rao. (2022). Narrating Marginality: Gender Crisis in Shashi Deshpande’s The Dark Holds No Terror. The Creative Launcher, 7(6), 171–176. https://doi.org/10.53032/tcl.2022.7.6.19

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Section

Research Articles

ARK